About

Welcome!

I am an actor, singer, songwriter and collaborator based in NYC. Originally from Cincinnati where I was surrounded by music. My love for the arts grew in the Queen City and I earned a B.M. from Northern Kentucky University. I followed my dreams of performing to the Big Apple and earned a M.M. from New York University.

When I’m not performing, you can find me needlepointing, reading fantasy novels, or painting pet portraits.

These are a few of my favorite things🎶:

  • “Ya like jazz?” I’m inspired by jazz music, specifically the exploration of vocal sound and timbre.

  • My nickname for her is ‘Beeb’. How did she get that nickname? Through a metamorphosis of names: ‘Weewoh’ became ‘Beeboh’ and ‘Beeboh’ became ‘Beeb’ for short.

  • A “Big Comfy” as my dad calls it. There’s something I love about a blanket hoodie that is ten sizes too large.

Biography

Katherine Sharp is a New York City–based performer originally from Cincinnati, Ohio.

Her performance career began early, including singing the national anthem at a sold-out Cincinnati Reds game at age 13 and training through programs such as CCM Preparatory, the Schmidt Vocal Institute, and the May Festival Youth Chorus at Cincinnati Music Hall.

Katherine earned a Bachelor of Music in Classical Voice from Northern Kentucky University, performing roles including Célie (Signor Deluso), Apollonia (La Canterina), and Lynne (A Grand Night for Singing). She is a recipient of numerous honors, including First Prize in Classical Voice at the Overture Awards and awards from the Schmidt Competition. She also trained with Canto Vocal Programs, performing roles such as Maria (The Sound of Music) and Prima Conversa (Suor Angelica).

She continued her studies at the University of Cincinnati College-Conservatory of Music in Commercial Music Production, developing skills in songwriting, recording, and production, and collaborating on released music. Katherine recently completed her Master of Music in Vocal Performance (Musical Theatre) at NYU Steinhardt, where she worked with Broadway conductor Ted Sperling and discovered her artistic home in classical musical theatre.

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